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Articles
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THE HISTORY OF THE UNMADE
A.CemŞahin, ‘ımproper garden meetIng 3’, lINOL PRINT COLLAGE, 190×150 CM, 2017 Here are a lot of incidents to you and...
- May 2
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VIOLATING THE WALLS…
We have to admit; Antakyalı’s painting is dirty! It refrains from fuss and feathers. So to speak, it consists of...
- Jan 19
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DELIBERATING ON THE BLIND
Journey Through The Secret Life of Plants (STEVIE WONDER) Ali Akay Murat Pulat mostly uses film images in his paintings....
- Oct 28
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A ROOM WITHOUT A VIEW
A room wıthout a vıew 2 “For we are where we are not.” [1] The Familiar Scenes of Melancholy...
- May 13
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HOW IMPORTANT CAN A STUDIO BE IN AN “USUAL” LIFE?
Emre Zeytinoğlu Memet Güreli, Olağan VI, 2015, Mixed Media on Paper, 46×58,5cm It is not unusual for an artist to...
- Jan 8
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ON MURAT PULAT’S PAINTINGS
Emre Zeytinoğlu Murat Pulat, “F NOTE”, Oil on Canvas, 180×180 cm, 2012 A question simpler than “what is a work...
- Dec 18
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FILL UP THE BACKSEATS, STEP ON THE GRASS, CARESS THE HAIR
Tuna Erdem ve Seda Ergül It’s not that Zafer isn’t aware that we don’t know much about Deleuze, why is...
- Oct 23
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SIEGE IN PUBLIC SPACE AND THE RESISTANCE POSSIBILITIES OF ART
Efe Korkut KURT While they let us roam the highways freely who can say that we aren’t monitored… Gilles Deleuze...
- Oct 9
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POPARTISTANBUL
At Pop Art, the shuttle movement between the surface and the depth is inevitable and is the feature of its...
- Sep 29
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A. CEM ŞAHİN’S WAR MACHINE
ABOUT A.CEM SAHİN AND HIS ART Efe Korkut Kurt Each work of art includes a resistance to interpret. The power...
- Sep 12
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ALL IS EXTERNAL – I EAT YOU!
An essay on the exhibition of İsmet Doğan Contemporary art puts itself forth, first of all, by the outputs that...
- Sep 4
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Ramazan Bayrakoğlu
Thinking about contemporary art and analyzing it with the tools of language unavoidably keeps one within certain limits. This, in...
- May 27
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POLITICAL PHOTOMONTAGE
Born 1891 in Berlin – Schmargendorf with the name Helmut Herzfeld, John Heartfield changed his name in 1916 as a...
- Oct 28
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KARA WALKER // AN EMANCIPATED NEGRESS
Walker has exhibited widely in the US, and at 27 (she’s now 44) became the youngest person ever to receive...
- Oct 23
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WORK-SPACE
Nil Aynalı Art / Architecture. Two names. Without a doubt, names make it possible for us to talk about the...
- Oct 19
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A HYBRID FIELD OF EXPRESSION IN CONTEMPORARY ART: INSTALLATION
In contrast to traditional art forms, installation art is an art form that does not contain an object of...
- Oct 17
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ENVY, ENMITY, EMBARRASMENT
Arter, where I took shelter from Istiklal Street’s huddled and noisy state, is hosting a silent looking exhibition, housing...
- Oct 16
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They Left Without Me!
As part of the Komet exhibition series for November, “They Left Without Me!” will be on display between...
- Oct 15
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