{"id":1031,"date":"2013-02-22T17:55:50","date_gmt":"2013-02-22T17:55:50","guid":{"rendered":"http:\/\/warholamag.com\/?p=1031"},"modified":"2020-02-27T09:34:34","modified_gmt":"2020-02-27T09:34:34","slug":"k-h-hodicke-resim-heykel-film","status":"publish","type":"post","link":"https:\/\/warholamag.com\/tr\/k-h-hodicke-resim-heykel-film\/","title":{"rendered":"K.H. H\u00f6dicke – Resim, Heykel, Film"},"content":{"rendered":"

<\/p>\n

\"berr\"<\/p>\n

\"Museum-Berlin_Hoedicke_Kunstgewerbemuseum\"<\/p>\n

H\u00f6dicke\u2019ye g\u00f6re resim yaln\u0131zca, \u201crenkleri elleyebilmek i\u00e7in kurulmu\u015f bir sava\u015f meydan\u0131\u201dd\u0131r.\u00a0 Bir g\u00f6r\u00fcnt\u00fcn\u00fcn kalitesini, mutlak olarak renklerin nesnelli\u011fine ba\u011flar. Katranl\u0131 ve t\u00fcyl\u00fc tasvirler onun bu fikrini ve yakla\u015f\u0131m\u0131n\u0131 destekler.Ayn\u0131 zamanda, H\u00f6dicke\u2019nin i\u015flerinde kulland\u0131\u011f\u0131 saydam cam gibi materyaller, i\u015flerinin temas\u0131n\u0131 ya da alt katman\u0131n\u0131 olu\u015fturur. \u00d6rne\u011fin, \u201cPassagen\u201d adl\u0131 tablosu, ma\u011faza camlar\u0131ndan yans\u0131yan kent hallerini tasvir eder. Sonu\u00e7 olarak sanat\u00e7\u0131, tuvalini gerip b\u00fckerek \u00e7al\u0131\u015ft\u0131\u011f\u0131 alan\u0131n s\u0131n\u0131rlar\u0131n\u0131 zorlar.<\/p>\n

Hareket i\u015flerinin kilit noktas\u0131d\u0131r, hem resimlerindeki donuklu\u011fu dinamik bir yap\u0131ya d\u00f6n\u00fc\u015ft\u00fcr\u00fcr, hem de onlar\u0131 film ya da nesneler gibi formlara d\u00f6n\u00fc\u015ft\u00fcrmeye yarar. \u201cKalter Fluss\u201d isimli ask\u0131da kalm\u0131\u015f zift f\u0131\u00e7\u0131s\u0131 i\u015fi i\u00e7in yerlerden zift ve katran toplamas\u0131 aylar\u0131n\u0131 alm\u0131\u015ft\u0131r ve sonu\u00e7ta ortaya a\u011f\u0131r tempolu y\u00fcr\u00fcyen bir heykel \u00e7\u0131km\u0131\u015ft\u0131r. Bu \u00e7al\u0131\u015fmada kulland\u0131\u011f\u0131 malzemeler, camdan objelerine g\u00f6re diametrik bir kar\u015f\u0131tl\u0131k i\u00e7erir. H\u00f6dicke ayr\u0131ca tu\u011fla, kartpostal, kemik, mermer, me\u015fale, \u015fi\u015fe a\u00e7aca\u011f\u0131, kibrik kutusu gibi nesnelerden toplad\u0131\u011f\u0131 par\u00e7alar\u0131 i\u015flerini \u00fcretmek i\u00e7in birer materyale d\u00f6n\u00fc\u015ft\u00fcr\u00fcr; onlardan ayr\u0131d\u0131\u011f\u0131 par\u00e7alardan \u015fiirsel ya da esprili objeler ortaya \u00e7\u0131kar\u0131r ve b\u00f6ylece bu al\u0131\u015f\u0131lm\u0131\u015f\u0131n d\u0131\u015f\u0131ndaki kombinasyonlar yeni anlamlar do\u011furmaya olanak tan\u0131r.<\/p>\n

Hepsinden \u00f6te, Berlin gibi b\u00fcy\u00fck ve stim\u00fcle edilmi\u015f \u00f6\u011felerden olu\u015fan bir kentin \u00e7evresinin sanat\u00e7\u0131n\u0131n\u00a0 merak ve ke\u015fif y\u00f6nlerini etkiledi\u011finin ve de\u011fi\u015ftirdi\u011finin alt\u0131n\u0131 \u00e7izmek gerek. Hochschule der K\u00fcste\u2019te Fred Thieler g\u00f6zetiminde \u00e7al\u0131\u015fan K. H. H\u00f6dicke, 1964\u2019te \u00a0sanat\u00e7\u0131lara yard\u0131m ama\u00e7l\u0131 kurulanGro\u00dfgorschen 35 galerisinin kurucular\u0131ndand\u0131r. 1966 ve 67\u2019de New York\u2019ta bir y\u0131l ge\u00e7irdi. Burada deneysel film \u00e7al\u0131\u015fmalar\u0131n\u0131 geli\u015ftirme f\u0131rsat\u0131 buldu ve 1968\u2019de Roma\u2019daki Villa Massimo\u2019dan bir burs hakk\u0131 kazand\u0131. 1974\u2019ten 2006\u2019ya kadar kariyerine ilk ad\u0131mlar\u0131n\u0131 att\u0131\u011f\u0131 Thieler\u2019da \u00e7al\u0131\u015fmaya devam etti ve Hdk\u2019de e\u011fitmenlik yapt\u0131.<\/p>\n

Bu sergi ve sergi katalogu F\u00f6rderverein der Berlinischen Galerisinin deste\u011fiyle haz\u0131rlanm\u0131\u015ft\u0131r.<\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

H\u00f6dicke\u2019ye g\u00f6re resim yaln\u0131zca, \u201crenkleri elleyebilmek i\u00e7in kurulmu\u015f bir sava\u015f meydan\u0131\u201dd\u0131r.\u00a0 Bir g\u00f6r\u00fcnt\u00fcn\u00fcn kalitesini, mutlak olarak renklerin nesnelli\u011fine ba\u011flar. Katranl\u0131 ve t\u00fcyl\u00fc tasvirler onun bu fikrini ve yakla\u015f\u0131m\u0131n\u0131 destekler.Ayn\u0131 zamanda, H\u00f6dicke\u2019nin i\u015flerinde kulland\u0131\u011f\u0131 saydam cam gibi materyaller, i\u015flerinin temas\u0131n\u0131 ya da alt katman\u0131n\u0131 olu\u015fturur. \u00d6rne\u011fin, \u201cPassagen\u201d adl\u0131 tablosu, ma\u011faza camlar\u0131ndan yans\u0131yan kent hallerini tasvir eder. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[],"class_list":["post-1031","post","type-post","status-publish","format-standard","hentry","category-installations"],"_links":{"self":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/comments?post=1031"}],"version-history":[{"count":2,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1031\/revisions"}],"predecessor-version":[{"id":3914,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1031\/revisions\/3914"}],"wp:attachment":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/media?parent=1031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/categories?post=1031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/tags?post=1031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}