{"id":1037,"date":"2013-02-19T17:59:27","date_gmt":"2013-02-19T17:59:27","guid":{"rendered":"http:\/\/warholamag.com\/?p=1037"},"modified":"2020-02-27T09:34:53","modified_gmt":"2020-02-27T09:34:53","slug":"pi-artworks-galatasaray-turan-aksoy-bir-portre-huzursuz","status":"publish","type":"post","link":"https:\/\/warholamag.com\/tr\/pi-artworks-galatasaray-turan-aksoy-bir-portre-huzursuz\/","title":{"rendered":"Pi ARTWORKS GALATASARAY – Turan Aksoy “Bir Portre: Huzursuz”"},"content":{"rendered":"

<\/p>\n

\"pi\"<\/a><\/p>\n

\"TURAN_AKSOY\"<\/a><\/p>\n

\u00a0<\/b><\/p>\n

Turan Aksoy \u201cBir Portre: Huzursuz\u201d adl\u0131 yeni sergisi ile 19 \u015eubat \u2013 30 Mart 2013 tarihleri aras\u0131nda Pi Artworks Galatasaray\u2019da.<\/p>\n

Aksoy\u2019un\u00a0\u201cKaotik ama Steril\u201d (2009) adl\u0131 yap\u0131tlar\u0131nda tasarlanm\u0131\u015fl\u0131k ve toplumsal sorunlar; \u201cToz ve Tela\u015f\u201d (2012) sergisinde mekanlar ve kar\u015f\u0131l\u0131k gibi g\u00f6r\u00fclen, kanaatlerimiz \u00fczerinden ya\u015fad\u0131\u011f\u0131m\u0131z zaman\u0131 tan\u0131mlama \u00e7abas\u0131; bu defa bireyin aile, din, devlet gibi kurumlarla, bug\u00fcne \u00f6zg\u00fc \u00e7at\u0131\u015fmalar\u0131 ve travmalar\u0131 \u00fczerinden toplumsal bir portre olu\u015fturma amac\u0131na d\u00f6n\u00fc\u015f\u00fcyor.<\/p>\n

Turan Aksoy, toplumsal kurumlar\u0131n\u00a0birey \u00fczerinde i\u015fkence, taciz ve bask\u0131 yoluyla yaratt\u0131\u011f\u0131 izleri, toplumsal haf\u0131zan\u0131n ta\u015f\u0131y\u0131c\u0131s\u0131 kurumlar\u0131 temsil etme g\u00fcc\u00fcndeki nesne ve mekanlar\u0131n ili\u015fkilerindeki abs\u00fcrt ve uyumsuz birliktelikler arac\u0131l\u0131\u011f\u0131yla vurguluyor.\u00a0Bunu daha \u00f6nceki \u00e7al\u0131\u015fma ve sergilerinde oldu\u011fu gibi izleyici i\u00e7in kapal\u0131 ve ki\u015fisel olarak adland\u0131r\u0131labilecek bir hikaye ve irrasyonel ili\u015fkilendirmeler ile yap\u0131yor.\u00a0Sergi, bir birey-toplum-yap\u0131tlar\u0131 \u00fcreten ki\u015fi, yani sanat\u00e7\u0131, olmak \u00fczere \u00fc\u00e7 katmanl\u0131 bir toplumsal anlat\u0131ya d\u00f6n\u00fc\u015ft\u00fcr\u00fclmeye \u00e7al\u0131\u015f\u0131l\u0131yor.\u00a0Portreler gibi t\u00fcm\u00fcyle bireysel olanla, bayrak dire\u011fi gibi toplumsal \u00a0olanlar aras\u0131nda dola\u015fan temsili elemanlar, bizi ikisinin aras\u0131ndaki \u00e7eli\u015fkili gibi g\u00f6r\u00fclebilecek \u00e7at\u0131\u015fmal\u0131 alana sokuyor. Toplumsal portre b\u00fcy\u00fck oranda toplumsal haf\u0131za ile ba\u011flant\u0131l\u0131 bir \u015fey olarak ele al\u0131n\u0131yor.<\/p>\n

1965 y\u0131l\u0131 Erzincan do\u011fumlu olan sanat\u00e7\u0131 Gazi \u00dcniversitesi Resim B\u00f6l\u00fcm\u00fc\u2019n\u00fc bitirdikten sonra University of Central England\u2019da y\u00fcksek lisans ve doktoras\u0131n\u0131 tamamlad\u0131. \u0130stanbul\u2019da ya\u015fayan sanat\u00e7\u0131, Pi Artworks\u2019te 2012\u2019de \u201cToz ve Tela\u015f\u201d, 2010\u2019da \u2018\u2018I\u015f\u0131lt\u0131l\u0131 \u015eeyler\u2019\u2019 sergilerini a\u00e7t\u0131. 2009 y\u0131l\u0131nda \u0130stanbul 2010 Ta\u015f\u0131nabilir Sanat Projesi kapsam\u0131nda \u2018\u2018Ge\u00e7ici Rahats\u0131zl\u0131k\u2019\u2019 sergisine kat\u0131ld\u0131. Sanat\u00e7\u0131n\u0131n eserleri 2012 y\u0131l\u0131nda Art Dubai ve Contemporary Istanbul gibi uluslararas\u0131 fuarlarda sergilendi.<\/p>\n

Turan Aksoy\u2019un \u201cBir Portre: Huzursuz\u201d ba\u015fl\u0131kl\u0131 sergisi 30 Mart 2013 tarihine kadar Pazar hari\u00e7 her g\u00fcn 10:30-19:30 aras\u0131 Pi Artworks Galatasaray\u2019da g\u00f6r\u00fclebilir\u00a0.<\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

\u00a0 Turan Aksoy \u201cBir Portre: Huzursuz\u201d adl\u0131 yeni sergisi ile 19 \u015eubat \u2013 30 Mart 2013 tarihleri aras\u0131nda Pi Artworks Galatasaray\u2019da. Aksoy\u2019un\u00a0\u201cKaotik ama Steril\u201d (2009) adl\u0131 yap\u0131tlar\u0131nda tasarlanm\u0131\u015fl\u0131k ve toplumsal sorunlar; \u201cToz ve Tela\u015f\u201d (2012) sergisinde mekanlar ve kar\u015f\u0131l\u0131k gibi g\u00f6r\u00fclen, kanaatlerimiz \u00fczerinden ya\u015fad\u0131\u011f\u0131m\u0131z zaman\u0131 tan\u0131mlama \u00e7abas\u0131; bu defa bireyin aile, din, devlet gibi kurumlarla, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-1037","post","type-post","status-publish","format-standard","hentry","category-art-in-architecture"],"_links":{"self":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1037","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/comments?post=1037"}],"version-history":[{"count":2,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1037\/revisions"}],"predecessor-version":[{"id":3916,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1037\/revisions\/3916"}],"wp:attachment":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/media?parent=1037"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/categories?post=1037"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/tags?post=1037"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}