{"id":1074,"date":"2013-09-18T19:49:14","date_gmt":"2013-09-18T19:49:14","guid":{"rendered":"http:\/\/warholamag.com\/?p=1074"},"modified":"2020-02-27T09:30:53","modified_gmt":"2020-02-27T09:30:53","slug":"luhrig-augistine-michelangelo-pistoletto-eksi-nesneler","status":"publish","type":"post","link":"https:\/\/warholamag.com\/tr\/luhrig-augistine-michelangelo-pistoletto-eksi-nesneler\/","title":{"rendered":"LUHRIG AUGISTINE, MICHELANGELO PISTOLETTO &#8211; Eksi Nesneler"},"content":{"rendered":"<p><a href=\"http:\/\/warholamagazine.com\/wp-content\/uploads\/2013\/10\/141.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/warholamagazine.com\/wp-content\/uploads\/2013\/10\/141.jpg\" alt=\"w6 yeni.indd\" width=\"620\" height=\"296\" \/><\/a><\/p>\n<p><i>\u00a0<\/i><\/p>\n<p>Luhring Augustine, <i>The Minus Objects 1965-1966&#8242;<\/i>y\u0131 sunmaktan mutluluk duyuyor; bu sergi \u0130talyan sanat\u00e7\u0131 Michelangelo Pistoletto&#8217;nun en eski ve en \u00f6nemli serilerinden birini izleyicilere sunuyor. 1960&#8217;larda Arte Povera ak\u0131m\u0131n\u0131n ortaya \u00e7\u0131k\u0131\u015f\u0131nda \u00e7ok \u00f6nemli rol oyanayan bu ufuklar a\u00e7\u0131c\u0131 seri, d\u00f6neminin \u00f6nde gelen sanat ak\u0131mlar\u0131n\u0131 radikal bir \u015fekilde ba\u015fa\u015fa\u011f\u0131 etmi\u015fti.<\/p>\n<p>Pistoletto&#8217;nun en iyi tan\u0131nan \u00e7al\u0131\u015fmas\u0131, ilk kez 1962&#8217;de ortaya \u00e7\u0131kan ve sanat\u00e7\u0131n\u0131n \u00e7al\u0131\u015fmalar\u0131 aras\u0131nda \u00f6nemli ve s\u00fcregelen bir y\u00f6n\u00fc temsil eden <i>Quadri Specchianti (ayna resimleri)<\/i>. Sanat\u00e7\u0131, imgeyi yans\u0131t\u0131c\u0131 bir y\u00fczeye ili\u015ftirerek, sanat nesnesi ve izleyici aras\u0131nda dinamik ve s\u00fcrekli de\u011fi\u015fen bir etkile\u015fimin yolunu a\u00e7\u0131yor. Mirror Paintings erkenden uluslaras\u0131 \u00fcn kazand\u0131, fakat Pistoletto kendisinin hep bu tarzda \u00e7al\u0131\u015faca\u011f\u0131na dair beklentilere boyun e\u011fmek konusunda teredd\u00fctl\u00fcyd\u00fc. Bunun yerine kategorizasyona ve metala\u015ft\u0131r\u0131lmaya meydan okuyan <i>Ogetti in Meno (eksi nesneler)<\/i> serisini yaratt\u0131.<\/p>\n<p>\u0130lk kez 1966 y\u0131l\u0131nda, sanat\u00e7\u0131n\u0131n Turin&#8217;deki at\u00f6lyesinde sergilenen <i>Minus Objects<\/i> <i>\u00a0<\/i>bir grup birbirinden farkl\u0131 heykelsi nesneden olu\u015fuyor; bu nesneler bireyselliklerinin yan\u0131s\u0131ra bi\u00e7im, malzeme ve \u00fcretim \u015fekilleri a\u00e7\u0131s\u0131ndan sahip olduklar\u0131 b\u00fcy\u00fck \u00e7e\u015fitlilikten \u00f6t\u00fcr\u00fc dikkat \u00e7ekiyor. Her bir \u00e7al\u0131\u015fma spontane ve organik bir \u015fekilde yarat\u0131lm\u0131\u015f ve ard\u0131ndan b\u00fcy\u00fck bir grup halinde bir araya getirilmi\u015fler. \u00d6rne\u011fin buru\u015fuk karton ve sprey boya ile yap\u0131lan <i>Rosa bruciata (yanm\u0131\u015f g\u00fcl), <\/i>r\u00fcyada g\u00f6r\u00fclen bir nesnenin maddele\u015fmi\u015f hali; di\u011fer yandan minimalist demir bir heykel olan <i>Strutture per parlare in piedi<\/i> <i>(Ayakta dururken konu\u015fmak i\u00e7in yap\u0131)<\/i> ise bir galeriyi gezen insanlar\u0131n ayaklar\u0131n\u0131 dinlendirirken galeri duvar\u0131na b\u0131rakt\u0131\u011f\u0131 izlerden esinlenmi\u015f. <i>Lampada a mercurio (civa lambas\u0131)<\/i> ve <i>Specchio (ayna)<\/i> gibi kimi nesneler do\u011falar\u0131 gere\u011fi end\u00fcstriyel ve faydac\u0131lken; <i>Paesaggio (peyzaj), Ti amo (seni seviyorum) <\/i>ve <i>Quadro da Pranzo (\u00f6\u011fle yeme\u011fi resmi) <\/i>gibi nesneler ise a\u00e7\u0131k \u015fekilde resim tarihine g\u00f6nderme yap\u0131yor. Her bir nesne temsili olmaya uzak, yabanc\u0131 ve biraz sa\u00e7ma; fakat hepsi bir nevi kendine-yeterlili\u011fe ve varolmak i\u00e7in do\u011fu\u015ftan gelen bir sebebe sahip gibi.<\/p>\n<p>Her bir <i>Minus Object&#8217;<\/i>in sahip oldu\u011fu dikkate de\u011fer teklik ve kendi-i\u00e7inde-b\u00fct\u00fcnl\u00fcl\u00fck, eserleri yaratan ki\u015finin rol\u00fcn\u00fc azalt\u0131yor. Birbiriyle g\u00f6r\u00fcn\u00fc\u015fte hi\u00e7bir ba\u011flant\u0131s\u0131 olmayan bir nesneler grubu yaratan sanat\u00e7\u0131, kendi ki\u015fili\u011fini iptal ederek, serinin bir b\u00fct\u00fcn olarak kendi kendine konu\u015fmas\u0131na olanak sa\u011fl\u0131yor. Pistoletto&#8217;nun yazd\u0131\u011f\u0131 gibi : \u201c&#8230;bunlar arac\u0131l\u0131\u011f\u0131yla kendimi bir \u015feylerden \u00f6zg\u00fcr b\u0131rakabiliyorum \u2013 yani bunlar in\u015fa edilmi\u015f yap\u0131lar de\u011fil, \u00f6zg\u00fcrl\u00fckler. Onlar\u0131 \u201cfazla\u201d olarak de\u011fil, \u201ceksik\u201d olarak d\u00fc\u015f\u00fcn\u00fcyorum, \u201cart\u0131\u201d olarak de\u011fil, \u201ceksi\u201d olarak; zira yanlar\u0131nda daha \u00f6nceden kesin olarak beyan edilmi\u015f bir alg\u0131sal deneyimi de getiriyorlar.\u201d<\/p>\n<p>Michelangelo Pistoletto 1933 y\u0131l\u0131nda \u0130talya&#8217;n\u0131n Biella \u015fehrinde do\u011fdu. Bir\u00e7ok sergi yapan sanat\u00e7\u0131n\u0131n \u00e7al\u0131\u015fmalar\u0131 Museum of Modern Art, New York; Hirshhorn Museum ve Sculpture Garden, Washington D.C.; Tate Modern, Londra; Castello di Rivoli, Turin, ve Reina Sofia Museum, Madrid gibi m\u00fczelerin koleksiyonlar\u0131nda yer al\u0131yor. Sanat\u00e7\u0131 \u00e7ok say\u0131da uluslaras\u0131 sergiye de kat\u0131ld\u0131; Venedik Bienali&#8217;nde 11 kez, Documanta&#8217;da ise 4 kez yer ald\u0131. Yak\u0131n d\u00f6nemde ger\u00e7ekle\u015ftirilen ki\u015fisel sergileri ise Philadelphia Museum of Art, MAXXI, the Serpentine Gallery, ve 2013&#8217;de Louvre, Paris&#8217;te yap\u0131ld\u0131. Pistoletto ayn\u0131 zamanda prestijli Praemium Imperiale Resim \u00d6d\u00fcl\u00fc&#8217;n\u00fcn 2013&#8217;teki sahibi. Sanat\u00e7\u0131, disiplinleraras\u0131 laboratuvar Cittadellarte&#8217;yi de kurdu\u011fu Biella \u015fehrinde ya\u015f\u0131yor ve \u00e7al\u0131\u015f\u0131yor.<\/p>","protected":false},"excerpt":{"rendered":"<p>\u00a0 Luhring Augustine, The Minus Objects 1965-1966&#8242;y\u0131 sunmaktan mutluluk duyuyor; bu sergi \u0130talyan sanat\u00e7\u0131 Michelangelo Pistoletto&#8217;nun en eski ve en \u00f6nemli serilerinden birini izleyicilere sunuyor. 1960&#8217;larda Arte Povera ak\u0131m\u0131n\u0131n ortaya \u00e7\u0131k\u0131\u015f\u0131nda \u00e7ok \u00f6nemli rol oyanayan bu ufuklar a\u00e7\u0131c\u0131 seri, d\u00f6neminin \u00f6nde gelen sanat ak\u0131mlar\u0131n\u0131 radikal bir \u015fekilde ba\u015fa\u015fa\u011f\u0131 etmi\u015fti. Pistoletto&#8217;nun en iyi tan\u0131nan \u00e7al\u0131\u015fmas\u0131, ilk [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[],"class_list":["post-1074","post","type-post","status-publish","format-standard","hentry","category-installations"],"_links":{"self":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/comments?post=1074"}],"version-history":[{"count":2,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1074\/revisions"}],"predecessor-version":[{"id":3889,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1074\/revisions\/3889"}],"wp:attachment":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/media?parent=1074"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/categories?post=1074"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/tags?post=1074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}