{"id":1142,"date":"2013-04-15T21:29:44","date_gmt":"2013-04-15T21:29:44","guid":{"rendered":"http:\/\/warholamag.com\/?p=1142"},"modified":"2020-02-27T09:32:59","modified_gmt":"2020-02-27T09:32:59","slug":"max-wigram-gallery-mustafa-hulusi-altin-cag","status":"publish","type":"post","link":"https:\/\/warholamag.com\/tr\/max-wigram-gallery-mustafa-hulusi-altin-cag\/","title":{"rendered":"Max Wigram Gallery &#8211; MUSTAFA HULUS\u0130 &#8211; Alt\u0131n \u00c7a\u011f"},"content":{"rendered":"<p><i><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-348\" src=\"http:\/\/warholamagazine.com\/wp-content\/uploads\/2013\/10\/lond2.jpg\" alt=\"lond\" width=\"620\" height=\"281\" srcset=\"https:\/\/warholamag.com\/wp-content\/uploads\/2013\/10\/lond2.jpg 620w, https:\/\/warholamag.com\/wp-content\/uploads\/2013\/10\/lond2-300x135.jpg 300w, https:\/\/warholamag.com\/wp-content\/uploads\/2013\/10\/lond2-250x113.jpg 250w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-349\" src=\"http:\/\/warholamagazine.com\/wp-content\/uploads\/2013\/10\/MuH_MW4554_Abstract-Rose-10-S_2010.jpg\" alt=\"MuH_MW4554_Abstract-Rose-10-S_2010\" width=\"620\" height=\"444\" srcset=\"https:\/\/warholamag.com\/wp-content\/uploads\/2013\/10\/MuH_MW4554_Abstract-Rose-10-S_2010.jpg 620w, https:\/\/warholamag.com\/wp-content\/uploads\/2013\/10\/MuH_MW4554_Abstract-Rose-10-S_2010-300x214.jpg 300w, https:\/\/warholamag.com\/wp-content\/uploads\/2013\/10\/MuH_MW4554_Abstract-Rose-10-S_2010-250x179.jpg 250w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/i><\/p>\n<p>Max Wigram Gallery Mustafa Hulusi\u2019nin yeni resimlerinden olu\u015fan bir sergi olan Alt\u0131n \u00c7a\u011f\u2019\u0131n a\u00e7\u0131l\u0131\u015f\u0131n\u0131 sunmaktan mutluluk duyar.<\/p>\n<p>Hulusi burada kendi imzas\u0131 yerine ge\u00e7en b\u00fcy\u00fck \u00f6l\u00e7ekli, a\u015f\u0131r\u0131 ger\u00e7ek\u00e7i gelincik ve lale resimleri ve optik soyutlamalar\u0131n\u0131 bir araya getirdi\u011fi diptiklerin daha karanl\u0131k, daha kasvetlilerini sergiliyor. Kontroll\u00fc darbeler ve rafine bir teknik ile resmedilen diptikler, Ermeni film y\u00f6netmeni Sergei Parajanov\u2019un ba\u015fyap\u0131t\u0131 Ashik Kerib\u2019den (1988) ilham al\u0131yor. Renkli duvarlar \u00fczerinde sergilenen resim serisi ba\u015fka bir \u00e7a\u011fa ait olduklar\u0131 hissini uyand\u0131r\u0131yor ve izleyiciyi durup ba\u015fka bir zaman\u0131 tahayy\u00fcl etmeye davet ediyor.<\/p>\n<p>Sanat\u00e7\u0131 Alt\u0131n \u00c7a\u011f\u2019da sembolik iktidar ve tarihsel bellek imgeleri \u00fczerinde yo\u011funla\u015fan ara\u015ft\u0131rmas\u0131n\u0131 \u00f6zellikle Akdeniz\u2019de bir ada olan kendi memleketi K\u0131br\u0131s\u2019a at\u0131flar \u00fczerinden ger\u00e7ekle\u015ftiriyor. Lale d\u00fcnyevi, \u00f6l\u00fcml\u00fc ve fig\u00fcratif olana dair semboller i\u00e7erir. Tulipa Cypria K\u0131br\u0131s\u2019\u0131n \u00fccra ve yerle\u015filmemi\u015f b\u00f6lgelerinde bulunan endemik bir laledir. \u0130nsan faaliyetlerine ba\u011fl\u0131 olarak bu \u00e7i\u00e7ek \u015fu anda yok olma tehlikesiyle kar\u015f\u0131 kar\u015f\u0131ya olan t\u00fcrler aras\u0131ndad\u0131r. Adadaki g\u00fcnl\u00fck dilde bu \u00e7i\u00e7e\u011fe Siyah K\u0131br\u0131s Lalesi denir; \u00e7i\u00e7ek \u00f6mr\u00fcn\u00fc tamamlamadan k\u0131sa bir s\u00fcre \u00f6nce \u00e7i\u00e7e\u011fin ta\u00e7 yapraklar\u0131 \u00e7ok koyu, neredeyse siyah bir renk al\u0131r. Bu hastal\u0131kl\u0131 fakat bir o kadar da b\u00fcy\u00fcleyici g\u00f6r\u00fcnt\u00fc insan\u0131n bak\u0131\u015f\u0131n\u0131 tutsak al\u0131r.<\/p>","protected":false},"excerpt":{"rendered":"<p>Max Wigram Gallery Mustafa Hulusi\u2019nin yeni resimlerinden olu\u015fan bir sergi olan Alt\u0131n \u00c7a\u011f\u2019\u0131n a\u00e7\u0131l\u0131\u015f\u0131n\u0131 sunmaktan mutluluk duyar. Hulusi burada kendi imzas\u0131 yerine ge\u00e7en b\u00fcy\u00fck \u00f6l\u00e7ekli, a\u015f\u0131r\u0131 ger\u00e7ek\u00e7i gelincik ve lale resimleri ve optik soyutlamalar\u0131n\u0131 bir araya getirdi\u011fi diptiklerin daha karanl\u0131k, daha kasvetlilerini sergiliyor. Kontroll\u00fc darbeler ve rafine bir teknik ile resmedilen diptikler, Ermeni film y\u00f6netmeni [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-1142","post","type-post","status-publish","format-standard","hentry","category-art-in-architecture"],"_links":{"self":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1142","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/comments?post=1142"}],"version-history":[{"count":2,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1142\/revisions"}],"predecessor-version":[{"id":3904,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1142\/revisions\/3904"}],"wp:attachment":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/media?parent=1142"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/categories?post=1142"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/tags?post=1142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}