{"id":1350,"date":"2015-05-27T11:52:11","date_gmt":"2015-05-27T11:52:11","guid":{"rendered":"http:\/\/warholamag.com\/?p=1350"},"modified":"2015-06-22T14:08:35","modified_gmt":"2015-06-22T14:08:35","slug":"irfan-onurmen","status":"publish","type":"post","link":"https:\/\/warholamag.com\/tr\/irfan-onurmen\/","title":{"rendered":"\u0130rfan \u00d6n\u00fcrmen"},"content":{"rendered":"

\"irfan<\/p>\n

\"w7<\/p>\n

\"w7<\/p>\n

 <\/p>\n

\"w7<\/p>\n

\"w7<\/p>\n

\u0130rfan \u00d6n\u00fcrmen;<\/u> \u00e7izgifilm esteti\u011fi, t\u00fcl kolaj\u0131 ve k\u00fcbizmin d\u00fczlemsel in\u015fas\u0131n\u0131 birle\u015ftiren s\u00fcrece-y\u00f6nelik postmodern bir resim stratejisi ile varolu\u015fun dolamba\u00e7lar\u0131n\u0131n derinliklerine inerken, bi\u00e7imsel s\u0131n\u0131fland\u0131rmaya direniyor ve cevaplad\u0131\u011f\u0131ndan daha fazla sorunun do\u011fmas\u0131na sebep oluyor. C24 Gallery<\/u>‘deki ge\u00e7mi\u015f sergisi; i\u00e7erdi\u011fi heykeller, portreler, bilin\u00e7alt\u0131na odakl\u0131 veya Instagram’dan al\u0131nm\u0131\u015f imgelere dayal\u0131 resimler gibi \u00e7al\u0131\u015fmalar ile insanl\u0131k h\u00e2linin \u00e7ok say\u0131daki tonlar\u0131n\u0131 ve d\u0131\u015f g\u00f6r\u00fcn\u00fc\u015flerini \u0131srarla irdeliyor. Parlak renklerin eksikli\u011fi, resimlerin belirsiz an\u0131larla veya tan\u0131ms\u0131z r\u00fcya h\u00e2lleriyle a\u015f\u0131land\u0131\u011f\u0131na dair esrarengiz izlenimi g\u00fc\u00e7lendiriyor. M\u00fcphemlik olu\u015fturmadaki becerisi, \u00d6n\u00fcrmen’in sanat\u0131n\u0131 mevcut resim trendlerinin anlat\u0131mc\u0131 tav\u0131rlar\u0131ndan farkl\u0131 k\u0131l\u0131yor. Sanat\u00e7\u0131n\u0131n yenilik\u00e7i y\u00f6ntemleri, izleyiciyi g\u00f6rsel malzemeye taze ve al\u0131\u015f\u0131lmam\u0131\u015f bir bak\u0131\u015f a\u00e7\u0131s\u0131ndan bakmaya y\u00f6nlendiriyor.<\/p>\n

Gaze Series<\/em>‘te (Bak\u0131\u015f Serisi), orant\u0131lar\u0131 de\u011fi\u015ftirilmi\u015f kad\u0131n ba\u015flar\u0131n\u0131n her biri, ait oldu\u011fu ki\u015finin t\u00fcm v\u00fccudunu ve ki\u015fili\u011fini temsil ediyor. \u00c7al\u0131\u015fmalar, tasas\u0131z bir k\u0131z \u00e7ehresinden ba\u015flay\u0131p, ilerleyen ya\u015f\u0131n ve ya\u015fanan ac\u0131lar\u0131n oydu\u011fu i\u015faretlerle damgalanm\u0131\u015f y\u00fczlere uzanan sars\u0131c\u0131 bir psikolojik seri ile gen\u00e7likten olgunlu\u011fa uzanan d\u00f6nemi kaps\u0131yor. \u00d6n\u00fcrmen’in d\u00fc\u015fey istiflenmi\u015f Imagefall<\/em> grubu, g\u00fcnl\u00fck ya\u015fam\u0131 yans\u0131tan Instagram’dan al\u0131nm\u0131\u015f \u00e7e\u015fitli imgeler ile teknolojik bir bak\u0131\u015f a\u00e7\u0131s\u0131 sunuyor. \u0130\u015flenen konular aras\u0131nda iki \u00e7ocu\u011fun g\u00fcndelik bir portresi, sahilde g\u00fcnbat\u0131m\u0131 \u00f6n\u00fcnde poz veren bir \u00e7ift, ve hareket halindeki bir jimnastik\u00e7i var.<\/p>\n

Sanat\u00e7\u0131 yans\u0131yan \u0131\u015f\u0131\u011f\u0131 betimlemek i\u00e7in \u00e7ak\u0131\u015fan d\u00fczlemlerden faydalan\u0131yor, ve bu sayede parlak \u0131\u015f\u0131\u011fa maruz kalman\u0131n ard\u0131ndan ya\u015fanan g\u00f6rsel etkiyi canland\u0131r\u0131yor. \u00d6n\u00fcrmen’in yarat\u0131c\u0131 sahas\u0131 zengin \u2013 sanat\u00e7\u0131, derin olandan s\u0131radan olana uzanan, insanl\u0131\u011f\u0131n g\u00fcnl\u00fck kayg\u0131lar\u0131n\u0131 daha iyi aktarmak i\u00e7in internetten ald\u0131\u011f\u0131 imgelerden faydalanarak, i\u00e7 mek\u00e2nlara dair oda\u011f\u0131n\u0131n d\u0131\u015f\u0131na ba\u015far\u0131yla \u00e7\u0131k\u0131yor. \u00c7o\u011fu \u00e7al\u0131\u015fma ciddi konularla ilgilense de, i\u00e7lerinden baz\u0131lar\u0131 sadece bir spor ayakkab\u0131 \u00e7ifti veya bir el \u00e7antas\u0131na odaklanabiliyor. Sanat\u00e7\u0131n\u0131n yumu\u015fak\u00e7a bulan\u0131kla\u015ft\u0131r\u0131lm\u0131\u015f, birbirinden ayr\u0131 katmanlardan olu\u015fan t\u00fcl heykeli, havadar co\u015fkusu ile, ne\u015feli ve oyuncu durumlar\u0131 \u00e7a\u011fr\u0131\u015ft\u0131ran do\u011fal temellere dayal\u0131 tuhaf\u00e7a kesilmi\u015f bi\u00e7imlerden olu\u015fuyor.<\/p>\n

\"w7<\/p>\n

\"w7<\/p>\n

\u00d6n\u00fcrmen’in duygu y\u00fckl\u00fc, y\u00fczle\u015fmeye dayal\u0131 etkile\u015fimleri canland\u0131rma konusundaki tak\u0131nt\u0131s\u0131, t\u00fcl katmanlar\u0131n\u0131 ve boyanm\u0131\u015f piksel-benzeri kareleri kullanmas\u0131 ile daha da g\u00fc\u00e7leniyor. Pikseller; an\u0131larla, kay\u0131p ve pi\u015fmanl\u0131kla dolu bir d\u00fcnya g\u00f6r\u00fc\u015f\u00fcne bir miktar teknoloji eklemi\u015f oluyor. 2013 tarihli Listening<\/em> (Dinliyor) \u00e7al\u0131\u015fmas\u0131nda, bir erkek ve kad\u0131n\u0131n b\u00fcy\u00fck \u00f6l\u00e7ekli ba\u015flar\u0131 bir konu\u015fma esnas\u0131nda betimlenmi\u015f; burada erkek fig\u00fcr dinleyici konumunda. Kapal\u0131 g\u00f6zleriyle ve a\u011f\u0131rba\u015fl\u0131 y\u00fcz ifadesiyle yapt\u0131klar\u0131ndan pi\u015fman g\u00f6r\u00fcn\u00fcyor. Two Women<\/em> (\u0130ki Kad\u0131n) resmi de ayn\u0131 \u015fekilde pikseller ve t\u00fcl ile yap\u0131lm\u0131\u015f, fakat di\u011fer \u00e7al\u0131\u015fmaya k\u0131yasla daha kafa kar\u0131\u015ft\u0131r\u0131c\u0131. Her iki \u00e7al\u0131\u015fmada da, fig\u00fcrler \u00e7\u00f6z\u00fcmlenememi\u015f meseleler \u00fczerinde hararetli bir tart\u0131\u015fma esnas\u0131nda gibi g\u00f6r\u00fcn\u00fcyor. Applause<\/em> (Alk\u0131\u015f) ise formlar\u0131n belirsiz bir \u00f6nplan ve arkadaki derin mekan aras\u0131nda s\u00fcz\u00fclmekte oldu\u011fu, \u00f6rt\u00fc ile gizlenmi\u015f, co\u015fkulu bir \u00e7al\u0131\u015fma. Resimler trajik an\u0131larla zedelenmi\u015f bir ger\u00e7ekli\u011fin \u00e7a\u011fr\u0131\u015f\u0131m\u0131n\u0131 yap\u0131yor; \u00e7al\u0131\u015fmalar\u0131n baz\u0131lar\u0131 Gerhard Richter’in ger\u00e7ek\u00e7i \u00e7al\u0131\u015ft\u0131\u011f\u0131 d\u00f6nemi and\u0131r\u0131yor.<\/p>\n

Mod\u00fcle edilmi\u015f mek\u00e2nsal zeminler i\u00e7inde a\u011flarla sar\u0131lm\u0131\u015f soyut fig\u00fcrlerden olu\u015fan F Series <\/em>(F Serisi) bir ba\u015fka gizemli resim grubunu olu\u015fturuyor. Formlar, \u00f6z\u00fc itibari ile belirsiz bir arazi \u00fczerinde ilerliyor gibi g\u00f6r\u00fcn\u00fcyor. Karamsar ve k\u0131\u015fk\u0131rt\u0131c\u0131 T-Series-2<\/em>‘u (T-Serisi-2) olu\u015fturan resimler, g\u00f6lgeler i\u00e7indeki kap\u0131 aral\u0131klar\u0131n\u0131 ve karart\u0131lm\u0131\u015f pencereleri \u00e7a\u011fr\u0131\u015ft\u0131ran bulan\u0131k arkitektonik bi\u00e7imlerden olu\u015fuyor. Y\u00fczey alan\u0131n\u0131 kaz\u0131yan, resimsel b\u00fct\u00fcnl\u00fc\u011f\u00fc zedelemeden \u00e7al\u0131\u015fmalara y\u00fcksek gerilim y\u00fckleyen, ince ve somut \u00e7izgiler i\u00e7eriyorlar. Baz\u0131 resimler zaman-atlamal\u0131 (time-lapse) foto\u011fraflar\u0131 and\u0131rarak, birden fazla malzemenin kullan\u0131mda oldu\u011fu izlenimini g\u00fc\u00e7lendiriyor. Bu bile\u015fim, hareket h\u00e2linde olan ve \u00e7arp\u0131\u015fmaktan ancak ka\u00e7\u0131nan kentsel formlarla g\u00fcnl\u00fck olarak y\u00fczle\u015fen kent-gezginlerinin a\u015f\u0131r\u0131 y\u00fcklenmi\u015f bilin\u00e7lerini tekrar yaratmay\u0131 ba\u015far\u0131yor. Bu sergi belki de en iyi Percy Bysse Shelley’in s\u00f6zleriyle \u00f6zetlenebilir, \u2018\u2019Ya\u015fayanlar\u0131n hayat ad\u0131n\u0131 verdi\u011fi o boyanm\u0131\u015f \u00f6rt\u00fcy\u00fc kald\u0131rmay\u0131n.\u2019\u2019 \u201cYa\u015fayanlar\u0131n hayat ad\u0131n\u0131 verdi\u011fi o boyanm\u0131\u015f \u00f6rt\u00fcy\u00fc kald\u0131rmay\u0131n.\u201d<\/p>\n

\"w7<\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

  \u0130rfan \u00d6n\u00fcrmen; \u00e7izgifilm esteti\u011fi, t\u00fcl kolaj\u0131 ve k\u00fcbizmin d\u00fczlemsel in\u015fas\u0131n\u0131 birle\u015ftiren s\u00fcrece-y\u00f6nelik postmodern bir resim stratejisi ile varolu\u015fun dolamba\u00e7lar\u0131n\u0131n derinliklerine inerken, bi\u00e7imsel s\u0131n\u0131fland\u0131rmaya direniyor ve cevaplad\u0131\u011f\u0131ndan daha fazla sorunun do\u011fmas\u0131na sebep oluyor. C24 Gallery‘deki ge\u00e7mi\u015f sergisi; i\u00e7erdi\u011fi heykeller, portreler, bilin\u00e7alt\u0131na odakl\u0131 veya Instagram’dan al\u0131nm\u0131\u015f imgelere dayal\u0131 resimler gibi \u00e7al\u0131\u015fmalar ile insanl\u0131k h\u00e2linin \u00e7ok say\u0131daki […]<\/p>\n","protected":false},"author":1,"featured_media":1351,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1350","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-homepage"],"_links":{"self":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1350","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/comments?post=1350"}],"version-history":[{"count":6,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1350\/revisions"}],"predecessor-version":[{"id":1366,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1350\/revisions\/1366"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/media\/1351"}],"wp:attachment":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/media?parent=1350"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/categories?post=1350"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/tags?post=1350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}