{"id":1413,"date":"2015-05-28T08:48:08","date_gmt":"2015-05-28T08:48:08","guid":{"rendered":"http:\/\/warholamag.com\/?p=1413"},"modified":"2015-06-22T14:08:26","modified_gmt":"2015-06-22T14:08:26","slug":"bahar-oganer","status":"publish","type":"post","link":"https:\/\/warholamag.com\/tr\/bahar-oganer\/","title":{"rendered":"Bahar Oganer"},"content":{"rendered":"

\"Bahar<\/p>\n

\"w7<\/p>\n

 <\/p>\n

\"w7<\/p>\n

Bahar Oganer\u2019in Berlin\u2019deki ilk ki\u015fisel sergisi Greener Pastures<\/em>, 30 Nisan 2014 \u00c7ar\u015famba g\u00fcn\u00fc a\u00e7\u0131ld\u0131. Oganer fig\u00fcr\u00fc, bireyin i\u00e7 ve d\u0131\u015f d\u00fcnyas\u0131 aras\u0131ndaki hassas, ge\u00e7irgen s\u0131n\u0131r\u0131 simgele\u015ftirmek i\u00e7in kullan\u0131r. Ger\u00e7ekler \u00e2leminden ka\u00e7\u0131p r\u00fcyalar \u00e2lemine s\u0131\u011f\u0131nan kad\u0131n, h\u00fcz\u00fcnl\u00fc bir romantizmle, bilinmeyene duyulan derin bir \u00f6zlemle y\u00fckl\u00fcd\u00fcr. Ta\u015f\u0131d\u0131klar\u0131 h\u00fczne kar\u015f\u0131n bu kompozisyonlar, yitirilmemesi gereken \u00e7ocuksu bir ruh; gelece\u011fe, beklenene dair i\u00e7tenlikli bir umut ile doludur.<\/p>\n

Oganer\u2019in yap\u0131tlar\u0131, sanat\u00e7\u0131n\u0131n ince i\u015f\u00e7ili\u011fi sayesinde resimselliklerini yitirmez ve sanat\u00e7\u0131 ayr\u0131nt\u0131ya, dekoratif desenlerinde estetik \u00f6ge olarak yakla\u015f\u0131r. \u00d6te yandan sergi, Oganer\u2019in sanat\u00e7\u0131 kimli\u011fiyle \u00f6zde\u015fle\u015fen b\u00fcy\u00fck \u00f6l\u00e7ekli tablolar\u0131yla, Salon Dahlmann\u2019\u0131n mek\u00e2n boyunca s\u0131ralanan geni\u015f pencerelerini yan yana getirdi. Ayr\u0131ca Greener Pastures<\/em>, sanat\u00e7\u0131n\u0131n kasna\u011fa gerili kuma\u015f \u00fczerine diki\u015f tekni\u011fiyle uygulad\u0131\u011f\u0131 k\u00fc\u00e7\u00fck \u00f6l\u00e7ekli portre serisini, izleyiciyle ilk kez bulu\u015fturdu.<\/p>\n

Bahar Oganer\u2019in resmi, sanat\u00e7\u0131n\u0131n i\u00e7 d\u00fcnyas\u0131ndan d\u0131\u015far\u0131ya do\u011fru a\u00e7t\u0131\u011f\u0131 ve i\u00e7inden izleyiciyle birlikte ge\u00e7mek istedi\u011fi bir pencere gibidir. Oganer, camdan d\u0131\u015far\u0131ya bakan, ufka ya da kitaba dal\u0131p giden yaln\u0131z ve k\u0131r\u0131lgan fig\u00fcr\u00fc, bireyin i\u00e7 ve d\u0131\u015f d\u00fcnyas\u0131 aras\u0131ndaki hassas, ge\u00e7irgen s\u0131n\u0131r\u0131 simgele\u015ftirmek i\u00e7in kullan\u0131r. Ger\u00e7ekler \u00e2leminden ka\u00e7\u0131p r\u00fcyalar \u00e2lemine s\u0131\u011f\u0131nan kad\u0131n, h\u00fcz\u00fcnl\u00fc bir romantizmle, bilinmeyene duyulan derin bir \u00f6zlemle y\u00fckl\u00fcd\u00fcr. Bulundu\u011fu anda de\u011fildir; bamba\u015fka bir yerdedir. Bizi, o gizemli d\u00fcnyada kendisiyle birlikte bir yolculu\u011fa \u00e7\u0131kmaya, onunla duyguda\u015fl\u0131k kurmaya, hayallerini payla\u015fmaya, \u00f6yk\u00fcs\u00fcn\u00fc dinlemeye zorlar. Resimlerin herhangi bir co\u011frafi ya da k\u00fclt\u00fcrel ba\u011flam\u0131 ele vermemesi, bu duyguda\u015fl\u0131\u011f\u0131 kurmam\u0131z\u0131 kolayla\u015ft\u0131r\u0131r. Fig\u00fcr\u00fcn yaln\u0131zca bir ad\u0131m gerisinden gelen izleyici, sanat\u00e7\u0131n\u0131n zihnine davet edilir; ard\u0131ndan, sanat\u00e7\u0131yla birlikte oradan kendi ufkuna do\u011fru yeniden yelken a\u00e7ar.<\/p>\n

\"w7<\/p>\n

\"w7<\/p>\n

Serginin \u2018daha iyi, daha heyecan verici bir i\u015f, yer, ya da hayat se\u00e7ene\u011fi\u2019 anlamlar\u0131 ta\u015f\u0131yan Greener Pastures <\/em>deyimiyle adland\u0131r\u0131lmas\u0131, bilin\u00e7li bir tercihtir. Ta\u015f\u0131d\u0131klar\u0131 derin h\u00fczne kar\u015f\u0131n bu kompozisyonlar, yitirilmemesi gereken \u00e7ocuksu bir ruh; gelece\u011fe, beklenene dair i\u00e7tenlikli bir umut ile doludurlar. Oganer\u2019in canl\u0131, parlak renklerle ku\u015fat\u0131lm\u0131\u015f mek\u00e2n\u0131nda var olan e\u011flenceli, reng\u00e2renk giyimli fig\u00fcr, Alice Harikalar Diyar\u0131nda<\/em>, Peter Pan<\/em>, Oz B\u00fcy\u00fcc\u00fcs\u00fc\u2019ndeki Dorothy <\/em>gibi d\u00fc\u015fsel, masals\u0131 kahramanlar\u0131 \u00e7a\u011fr\u0131\u015ft\u0131rsa da, ger\u00e7ek\u00e7i bir d\u00fcnyaya aittir. Sanat\u00e7\u0131n\u0131n, ill\u00fcstrasyonu g\u00fcndeme getirecek bi\u00e7imde kulland\u0131\u011f\u0131 renk ve form, iyimser atmosferi daha da g\u00fc\u00e7lendirir.<\/p>\n

\u0130ll\u00fcstrasyonla yak\u0131n akraba olsalar da Oganer\u2019in yap\u0131tlar\u0131, sanat\u00e7\u0131n\u0131n ince i\u015f\u00e7ili\u011fi sayesinde resimselliklerini yitirmezler. Fig\u00fcre bir y\u00fcz edindirmekten bile ka\u00e7\u0131nan Oganer ayr\u0131nt\u0131ya, dekoratif desenlerinde estetik \u00f6ge olarak yakla\u015f\u0131r. Desene kavramsall\u0131k y\u00fckledi\u011fi ba\u015fl\u0131ca alan ise, fig\u00fcr\u00fcn \u00e7oraplar\u0131d\u0131r; ilk bak\u0131\u015fta kendini ele vermeyen, \u00e7ok renkli, co\u015fkulu ki\u015fili\u011fine dair, kendi y\u00fcz\u00fcnden bile daha fazla ipucu verirler. Karakterini, tutkular\u0131n\u0131 ve ger\u00e7ek d\u00fcnyan\u0131n ac\u0131mas\u0131zl\u0131\u011f\u0131 kar\u015f\u0131s\u0131nda s\u0131k s\u0131k yitirip yeniden kazand\u0131\u011f\u0131 ya\u015fama sevincini d\u0131\u015fa vurur; ne\u015feyle h\u00fczn\u00fc bir arada bar\u0131nd\u0131r\u0131rlar.<\/p>\n

Serginin kurgusu, mek\u00e2nla yap\u0131tlar\u0131n yak\u0131n etkile\u015fimine dayan\u0131r. Oganer\u2019in sanat\u00e7\u0131 kimli\u011fiyle \u00f6zde\u015fle\u015fen ve pencere alg\u0131s\u0131 yaratan b\u00fcy\u00fck \u00f6l\u00e7ekli tablolar\u0131yla, Salon Dahlmann\u2019\u0131n mek\u00e2n boyunca s\u0131ralanan geni\u015f pencerelerini yan yana getirir. Resimlerin her biri, duvara gizlenmi\u015f dev birer kitab\u0131n kapa\u011f\u0131n\u0131 an\u0131msat\u0131r ve kapa\u011f\u0131n ard\u0131nda uzun bir \u00f6yk\u00fc bulaca\u011f\u0131m\u0131z duygusunu yarat\u0131r. Ancak, sanat\u00e7\u0131n\u0131n kasna\u011fa gerili kuma\u015f \u00fczerine diki\u015f tekni\u011fiyle uygulad\u0131\u011f\u0131 k\u00fc\u00e7\u00fck \u00f6l\u00e7ekli portre serisi ile de, ilk kez bu sergide kar\u015f\u0131la\u015f\u0131r\u0131z. \u0130zleyiciyi fig\u00fcrle y\u00fcz y\u00fcze getiren, her zamanki malzeme, boyut ve tekni\u011fin tamamen d\u0131\u015f\u0131na \u00e7\u0131kan bu portreler, Oganer\u2019in ya\u015fam\u0131ndan ger\u00e7ek ki\u015filere aittirler. Di\u011fer yap\u0131tlarla yan yana geldiklerinde, onlardaki \u2018kad\u0131n\u2019 kimli\u011finin alt\u0131n\u0131 \u00e7izerler; ayn\u0131 zamanda, sanat\u00e7\u0131n\u0131n bug\u00fcne de\u011fin \u00fcretti\u011fi sanatla bir k\u0131r\u0131lma noktas\u0131 olu\u015ftururlar. Oganer\u2019in di\u011fer yap\u0131tlar\u0131nda ele vermekten \u00f6zenle ka\u00e7\u0131nd\u0131\u011f\u0131 ba\u011flam, bu seride \u00f6n plandad\u0131r: sanat\u00e7\u0131n\u0131n otobiyografik belle\u011fi ve kad\u0131n olarak el eme\u011finin varl\u0131\u011f\u0131, sanat\u00e7\u0131n\u0131n gelecek y\u00f6nelimlerine dair merak uyand\u0131r\u0131c\u0131 bir izlek olu\u015fturur.<\/p>\n

Greener Pastures<\/em>, Bahar Oganer\u2019in d\u00fcn\u00fc, bug\u00fcn\u00fc ve yar\u0131n\u0131n\u0131 birbirine ba\u011flayan; hem h\u00fcz\u00fcn, hem de umut dolu bir sanat deneyimi vadeder.<\/p>\n

\"w7<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

  Bahar Oganer\u2019in Berlin\u2019deki ilk ki\u015fisel sergisi Greener Pastures, 30 Nisan 2014 \u00c7ar\u015famba g\u00fcn\u00fc a\u00e7\u0131ld\u0131. Oganer fig\u00fcr\u00fc, bireyin i\u00e7 ve d\u0131\u015f d\u00fcnyas\u0131 aras\u0131ndaki hassas, ge\u00e7irgen s\u0131n\u0131r\u0131 simgele\u015ftirmek i\u00e7in kullan\u0131r. Ger\u00e7ekler \u00e2leminden ka\u00e7\u0131p r\u00fcyalar \u00e2lemine s\u0131\u011f\u0131nan kad\u0131n, h\u00fcz\u00fcnl\u00fc bir romantizmle, bilinmeyene duyulan derin bir \u00f6zlemle y\u00fckl\u00fcd\u00fcr. Ta\u015f\u0131d\u0131klar\u0131 h\u00fczne kar\u015f\u0131n bu kompozisyonlar, yitirilmemesi gereken \u00e7ocuksu bir ruh; […]<\/p>\n","protected":false},"author":1,"featured_media":1414,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1413","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-homepage"],"_links":{"self":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/comments?post=1413"}],"version-history":[{"count":4,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1413\/revisions"}],"predecessor-version":[{"id":1424,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1413\/revisions\/1424"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/media\/1414"}],"wp:attachment":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/media?parent=1413"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/categories?post=1413"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/tags?post=1413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}