{"id":1961,"date":"2015-12-29T15:45:28","date_gmt":"2015-12-29T15:45:28","guid":{"rendered":"http:\/\/warholamag.com\/?p=1961"},"modified":"2016-01-05T10:41:41","modified_gmt":"2016-01-05T10:41:41","slug":"monochrome","status":"publish","type":"post","link":"https:\/\/warholamag.com\/tr\/monochrome\/","title":{"rendered":"MONOCHROME"},"content":{"rendered":"<p><\/p>\n<div class=\"sfContentBlock\" style=\"text-align: justify;\"><b>K\u00fcrat\u00f6rler:<\/b> Ceren Arkman &#8211; Irmak Arkman<\/div>\n<p>&nbsp;<\/p>\n<div class=\"sfContentBlock\" style=\"text-align: justify;\"><b>Sanat\u00e7\u0131lar: <\/b>LIA, Memo Akten, Ouchhh, Quayola, Refik Anadol, Ryoichi Kurokawa, Sel\u00e7uk Artut, Simon Heijdens, Zimoun<\/div>\n<p>&nbsp;<\/p>\n<div class=\"sfContentBlock\" style=\"text-align: justify;\"><b>16 Aral\u0131k 2015 &#8211; 13 \u015eubat 2016<\/b><\/div>\n<p>&nbsp;<\/p>\n<div class=\"sfContentBlock\" style=\"text-align: justify;\"><strong>Yer:<\/strong>\u00a0Akbank Sanat<\/div>\n<p>&nbsp;<\/p>\n<div class=\"sfContentBlock\"><strong>Monochrome<\/strong> sergisi dijital sanat\u0131n en saf haline odaklan\u0131yor ve siyah-beyaz i\u015flerin temelinde 1 ve 0\u2018lardan olu\u015fan ikili bir say\u0131 sistemine dayanan bu sanat dal\u0131n\u0131n en iyi yans\u0131malar\u0131 oldu\u011fu d\u00fc\u015f\u00fcncesinden yola \u00e7\u0131k\u0131yor.<\/p>\n<p style=\"text-align: justify;\">Tek bir rengin tonlar\u0131ndan olu\u015fan ve bu nedenle renk \u00e7e\u015fitlili\u011finin getirdi\u011fi olas\u0131l\u0131klardan mahrum olan bu i\u015flerin siyah beyaz esteti\u011fi g\u00fcc\u00fcn\u00fc \u00e7izgi ve geometriye duydu\u011fumuz temel bir hayranl\u0131ktan al\u0131yor. Minimal ama bir o kadar da hareketleri, yenilikleri ve teknolojileri ile kuvvetli ve dikkat \u00e7ekici olduklar\u0131ndan bu i\u015flerin izleyiciyi yakalamalar\u0131 ve be\u011feni uyand\u0131rmalar\u0131 asl\u0131nda \u00e7ok kolay. Ayn\u0131 anda hem \u00e7ok sade ve ula\u015f\u0131labilir hem de \u00e7ok karma\u015f\u0131k ve \u00e7ok-katmanl\u0131 olan bu i\u015fler sadece y\u00fczeyi izlemek isteyenler i\u00e7in de daha derin katmanlara dalmak isteyenler i\u00e7in de bir izleme keyfi sunuyorlar.<\/p>\n<p style=\"text-align: justify;\">Kant\u2019\u0131n tan\u0131m\u0131yla taklit, anlam, ve e\u011fiticilik gibi kayg\u0131lardan uzak, sadece esteti\u011fe dayal\u0131 \u201cserbest g\u00fczellik\u201d \u00f6rnekleri olan bu i\u015fler en basit anlam\u0131yla kendiliklerinden g\u00fczeller. Alg\u0131lar\u0131m\u0131zla oynayarak deneyimleyip keyfini \u00e7\u0131karabilece\u011fimiz alternatif mekanlar\/d\u00fcnyalar\/do\u011falar yaratmay\u0131 hedefliyorlar. Bu anlamda, Monochrome her\u015feyin \u00f6tesinde izleyicisine keyif vermeyi hedefleyen bir sergi.<\/p>\n<p style=\"text-align: justify;\"><strong>Monochrome<\/strong> sergisi dijital sanat profesyoneli ve k\u00fcrat\u00f6r ikilisi Ceren ve Irmak Arkman taraf\u0131ndan geli\u015ftirilmi\u015ftir ve d\u00fcnyaca \u00fcnl\u00fc dijital sanat\u00e7\u0131lar Ryoichi Kurokawa, LIA, Memo Akten, Quayola ve Simon Heijdens\u2019\u0131n yan\u0131 s\u0131ra \u0130stanbul\u2019un dijital sanat alan\u0131nda dikkat \u00e7eken isimleri Sel\u00e7uk Artut, Ouchhh ve Refik Anadol\u2019dan i\u015fleri bir araya getirmektedir.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" size-large wp-image-1962 aligncenter\" src=\"http:\/\/warholamag.com\/wp-content\/uploads\/2015\/12\/Memo-Akten-equilibrium_raw_00053-1024x576.jpg\" alt=\"Memo Akten- equilibrium_raw_00053\" width=\"720\" height=\"405\" srcset=\"https:\/\/warholamag.com\/wp-content\/uploads\/2015\/12\/Memo-Akten-equilibrium_raw_00053-1024x576.jpg 1024w, https:\/\/warholamag.com\/wp-content\/uploads\/2015\/12\/Memo-Akten-equilibrium_raw_00053-300x169.jpg 300w, https:\/\/warholamag.com\/wp-content\/uploads\/2015\/12\/Memo-Akten-equilibrium_raw_00053-250x141.jpg 250w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/p>\n<\/div>\n<div class=\"sfContentBlock\" style=\"text-align: right;\"><span style=\"color: #999999;\">Memo Akten, equilibrium<\/span><\/div>\n<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-large wp-image-1963 aligncenter\" src=\"http:\/\/warholamag.com\/wp-content\/uploads\/2015\/12\/zimoun-1024x683.jpg\" alt=\"zimoun\" width=\"720\" height=\"480\" srcset=\"https:\/\/warholamag.com\/wp-content\/uploads\/2015\/12\/zimoun-1024x683.jpg 1024w, https:\/\/warholamag.com\/wp-content\/uploads\/2015\/12\/zimoun-300x200.jpg 300w, https:\/\/warholamag.com\/wp-content\/uploads\/2015\/12\/zimoun-250x167.jpg 250w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\" size-large wp-image-1964 aligncenter\" src=\"http:\/\/warholamag.com\/wp-content\/uploads\/2015\/12\/zimoun_2009_216_dc-motors_filler_wire_4224x2376px_3_300dpi-1024x576.jpg\" alt=\"zimoun_2009_216_dc-motors_filler_wire_4224x2376px_3_300dpi\" width=\"720\" height=\"405\" srcset=\"https:\/\/warholamag.com\/wp-content\/uploads\/2015\/12\/zimoun_2009_216_dc-motors_filler_wire_4224x2376px_3_300dpi-1024x576.jpg 1024w, https:\/\/warholamag.com\/wp-content\/uploads\/2015\/12\/zimoun_2009_216_dc-motors_filler_wire_4224x2376px_3_300dpi-300x169.jpg 300w, https:\/\/warholamag.com\/wp-content\/uploads\/2015\/12\/zimoun_2009_216_dc-motors_filler_wire_4224x2376px_3_300dpi-250x141.jpg 250w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/p>\n<p style=\"text-align: right;\"><span style=\"color: #999999;\">ZIMOUN, 216 DC motor, izolasyonsuz tel, 216 prepared DC-motors, filler wire, 2009<\/span><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>K\u00fcrat\u00f6rler: Ceren Arkman &#8211; Irmak Arkman &nbsp; Sanat\u00e7\u0131lar: LIA, Memo Akten, Ouchhh, Quayola, Refik Anadol, Ryoichi Kurokawa, Sel\u00e7uk Artut, Simon Heijdens, Zimoun &nbsp; 16 Aral\u0131k 2015 &#8211; 13 \u015eubat 2016 &nbsp; Yer:\u00a0Akbank Sanat &nbsp; Monochrome sergisi dijital sanat\u0131n en saf haline odaklan\u0131yor ve siyah-beyaz i\u015flerin temelinde 1 ve 0\u2018lardan olu\u015fan ikili bir say\u0131 sistemine dayanan [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1996,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1961","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-homepage"],"_links":{"self":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1961","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/comments?post=1961"}],"version-history":[{"count":15,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1961\/revisions"}],"predecessor-version":[{"id":1973,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/1961\/revisions\/1973"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/media\/1996"}],"wp:attachment":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/media?parent=1961"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/categories?post=1961"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/tags?post=1961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}