{"id":2600,"date":"2017-01-25T12:19:11","date_gmt":"2017-01-25T12:19:11","guid":{"rendered":"http:\/\/warholamag.com\/?p=2600"},"modified":"2020-02-27T09:16:22","modified_gmt":"2020-02-27T09:16:22","slug":"sarkis-ayna","status":"publish","type":"post","link":"https:\/\/warholamag.com\/tr\/sarkis-ayna\/","title":{"rendered":"SARK\u0130S – ‘AYNA’"},"content":{"rendered":"

<\/p>\n

Dirimart Dolapdere’de a\u00e7\u0131lan\u00a0AYNA <\/em>sergisinde\u00a0sanat\u00e7\u0131n\u0131n hem zamana i\u015faret koyan hem de zamans\u0131zla\u015fan farkl\u0131 d\u00f6nemlerden yap\u0131tlar\u0131, sergi i\u00e7in haz\u0131rlad\u0131\u011f\u0131 yeni i\u015flerle kar\u015f\u0131la\u015farak k\u0131r\u0131lmalara, \u00e7o\u011falmalara, \u00e7\u0131\u011fl\u0131klara ve sessizli\u011fe alan a\u00e7\u0131yor.<\/p>\n

\u00c7al\u0131\u015fmalar\u0131 bellek teorisi etraf\u0131nda yo\u011funla\u015fan Sarkis, sergiye tarihten farkl\u0131 tan\u0131klar\u0131 davet ederek bug\u00fcn\u00fcn toplumsal ve siyasal meselelerine katmanl\u0131 bir ele\u015ftirel bak\u0131\u015f sunuyor. Yap\u0131tlar, sanat\u0131n ge\u00e7mi\u015fin izlerini bug\u00fcne getirme g\u00fcc\u00fcn\u00fc, gelece\u011fi sanatsal \u00fcretimle hayal etme yetisine d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor. 15. y\u00fczy\u0131ldan bir sava\u015f sahnesi ve bu sahneye cevap veren \u015fim\u015fekler neon yerle\u015ftirmelere d\u00f6n\u00fc\u015ferek galeriyi k\u0131\u015fk\u0131rt\u0131yor. Bu alanda alt\u0131n g\u00f6kku\u015faklar\u0131, Kintsugi tekni\u011fiyle tarihlerine dokunulmu\u015f g\u00f6r\u00fcnt\u00fcler, vitraylar\u0131n ayd\u0131nlat\u0131p yakalad\u0131\u011f\u0131 anlar, rujlarla kaplanm\u0131\u015f sava\u015f ganimetleri bir aynada bulu\u015fup ya\u015f\u0131yor. Bu y\u00fczle\u015fmenin tan\u0131\u011f\u0131 olan pek \u00e7ok foto\u011fraf da dev bir ayna gibi, onlara bakan y\u00fczlerle tamamlanarak d\u00fcnyam\u0131z\u0131 yans\u0131t\u0131yor.<\/p>\n

\"9\"<\/p>\n

Vitray at\u00f6lye No: 1, vitray, metal, Led (\u00fcretim: Charlie), 37.5 x 114 x 11.5 cm, 2016 \u00a9 Sarkis<\/span><\/h5>\n

AYNA<\/em> bize neler s\u00f6yleyecek? San Romano Sava\u015f\u0131\u2019ndan \u00e7\u0131k\u0131p gelen m\u0131zraklar, galerinin i\u00e7ine kadar s\u00fcz\u00fclm\u00fc\u015f Bismarck, \u015fiddeti mu\u015ftulayan bir plak hangi ac\u0131lara gebeydi? 1940\u2019ta Londra\u2019daki Holland-Hause k\u00fct\u00fcphanesi bombalarla y\u0131k\u0131l\u0131rken \u00e7\u0131kan ses, bug\u00fcn neden yank\u0131lanmaya devam ediyor? Bir g\u00f6kku\u015fa\u011f\u0131n\u0131 yoldan \u00e7\u0131karan bu \u0131st\u0131raplar m\u0131d\u0131r, yoksa gelece\u011fin vaat etti\u011fine inand\u0131\u011f\u0131m\u0131z umut mu? Y\u0131llar\u0131n Sarkis\u2019in at\u00f6lyesinin duvar\u0131nda b\u0131rakt\u0131\u011f\u0131 izlerden yans\u0131yarak etraf\u0131m\u0131z\u0131 saracak i\u015fler bizi hat\u0131rlamaya, d\u00fc\u015f\u00fcnmeye ve hayal etmeye davet ediyor.<\/p>\n

Bu yap\u0131da, Sarkis ve sanat tarih\u00e7i Uwe Fleckner\u2019in birlikte haz\u0131rlad\u0131\u011f\u0131 ve T\u00fcrk\u00e7e \u00e7evirisi bu sergi ile ilk kez yay\u0131mlanan Mnemosyne\u2019in Hazine Sand\u0131klar\u0131<\/em> serginin temel ta\u015flar\u0131ndan birini olu\u015fturuyor. Plato\u2019dan Nietzsche\u2019ye, Warburg\u2019dan Derrida\u2019ya uzanan bellek teorisi \u00fczerine metinleri bir araya getiren kitapta, her bir metne Sarkis\u2019in Paris Villejuif\u2019teki at\u00f6lyesinden foto\u011fraflar e\u015flik ediyor. Daha \u00f6nce yay\u0131mlanan Frans\u0131zca, Almanca ve \u0130ngilizce bask\u0131larda ise bu e\u015fli\u011fi sanat\u00e7\u0131n\u0131n 2016\u2019da k\u0131rk be\u015f y\u0131l\u0131n ard\u0131ndan bo\u015faltt\u0131\u011f\u0131 ev-at\u00f6lyesi \u00fcstlenmi\u015fti. Kitab\u0131n sayfalar\u0131ndan \u00e7\u0131karak galerinin duvarlar\u0131na yay\u0131lan bu iki at\u00f6lyenin g\u00f6r\u00fcnt\u00fcleri, Paris\u2019te birlikte nefes al\u0131p verdikleri i\u015flerle bu kez \u0130stanbul\u2019da kar\u015f\u0131la\u015f\u0131yor. Mnemosyne hala g\u00f6rev ba\u015f\u0131nda.<\/p>\n

Sergi, 18 Ocak – 19 \u015eubat tarihleri aras\u0131nda Dirimart’ta ziyaret edilebilir.<\/p>\n

E\u015f-k\u00fcrat\u00f6r: Ceren Erdem<\/p>\n

\"Sarkis_Installation_6\"<\/p>\n

Foto\u011fraf I\u015f\u0131k Kaya, \u00a9\u00a0Dirimart<\/span><\/h5>\n

Sarkis\u00a0<\/strong>(d. 1938) e\u011fitimini \u0130stanbul Mimar Sinan \u00dcniversitesi G\u00fczel Sanatlar Akademisi\u2019nde tamamlad\u0131, ilk sergisini ise 1960 y\u0131l\u0131nda \u0130stanbul Sanat Galerisi\u2019nde a\u00e7t\u0131. Kariyeri boyunca farkl\u0131 mecralarla \u00e7al\u0131\u015fan Sarkis, 1960\u2019lar\u0131n sonundan beri yerle\u015ftirme sanat\u0131n\u0131n bir ikonu haline geldi. Sanat\u00e7\u0131n\u0131n eserleri,\u00a0 aralar\u0131nda Centre Georges Pompidou, Paris; Guggenheim M\u00fczesi, New York; Mus\u00e9e d\u2019Art Moderne de la Ville de Paris, Paris; Kunst-und- Austellungshalle, Bonn; Louvre M\u00fczesi, Paris; Bode M\u00fczesi, Berlin; Fondazione MAXXI, Roma ve Kunsthalle D\u00fcsseldorf\u2019un bulundu\u011fu bir\u00e7ok kurumda sergilendi.\u00a0When Attitudes Become Form<\/em>, Kunsthalle Bern, 1969; documenta VI, documenta VII, Kassel, 1977, 1982; ile Sidney, \u015eangay, Sao Paulo, Moskova ve \u0130stanbul Bienalleri Sarkis\u2019in kat\u0131ld\u0131\u011f\u0131 \u00f6nemli sergiler aras\u0131nda yer almaktad\u0131r. Sarkis\u2019in son d\u00f6nem ki\u015fisel sergileri ve grup sergileri aras\u0131nda,\u00a0Sarkis avec Paradjanov<\/em>, Villa Empain \u2013 Fondation Boghossian, Br\u00fcksel, 2016; Il Grido<\/em>, Galerie Nathalie Obadia, Br\u00fcksel, 2016; Istanbul. Passion, Joy, Fury<\/em>, Fondazione MAXXI, Roma, 2015; Tuzlu Su<\/em>, 14. \u0130stanbul Bienali, 2015; Respiro<\/em>, 56. Venedik Bienali T\u00fcrkiye Pavyonu, 2015; Armenity<\/em>, 56. Venedik Bienali Ermenistan Pavyonu grup sergisi, 2015; Sarkis \u2013 Cage\/Ryoanji Interpretation<\/em>, ARTER, Istanbul, 2013; Ballads<\/em>, Boijmans van Beuningen M\u00fczesi, Roterdam, 2012 say\u0131labilir. Sanat\u00e7\u0131, 1986\u2019da Ma\u00e7ka Sanat Galerisinde \u00c7aylak Sokak<\/em> sergisini yapm\u0131\u015ft\u0131r. Sarkis\u2019in i\u015fleri pek \u00e7ok m\u00fcze ve \u00f6zel koleksiyonda yer almaktad\u0131r. Sanat\u00e7\u0131 Galerie Nathalie Obadia taraf\u0131ndan temsil edilmektedir. Daha fazla bilgi i\u00e7in: www.sarkis.fr<\/p>\n

Ceren Erdem<\/strong> (d. 1979) New York\u2019ta ve \u0130stanbul’da ya\u015fayan k\u00fcrat\u00f6r ve yazar. Son y\u0131llarda online platformlarda ve New York, \u0130stanbul, Roma, M\u00fcnih ve Seul\u2019de sergiler ve yay\u0131nlar \u00fczerinde \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Haz\u0131rlad\u0131\u011f\u0131 son sergiler: Gri Tonlaman\u0131n Aksine<\/em>, Pasinger Fabrik, M\u00fcnih, 2016; Ist<\/em>anbul. Passion, Joy, Fury<\/em>, Fondazione MAXXI, Roma, 2015. Columbia \u00dcniversitesi Modern Sanat: Ele\u015ftirel ve K\u00fcrat\u00f6ryel \u00c7al\u0131\u015fmalar (2012) ve Sabanc\u0131 \u00dcniversitesi G\u00f6rsel Sanatlar \u2013 G\u00f6rsel \u0130leti\u015fim Tasar\u0131m\u0131 (2004) programlar\u0131ndan Y\u00fcksek Lisans derecesi bulunmaktad\u0131r. May\u0131s 2016\u2019dan bu yana programdaki \u00e7e\u015fitli sergiler i\u00e7in Dirimart ile birlikte \u00e7al\u0131\u015fmaktad\u0131r.<\/p>\n

\"Sarkis_Installation_8\"<\/p>\n

Foto\u011fraf I\u015f\u0131k Kaya, \u00a9\u00a0Dirimart<\/span><\/h5>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Dirimart Dolapdere’de a\u00e7\u0131lan\u00a0AYNA sergisinde\u00a0sanat\u00e7\u0131n\u0131n hem zamana i\u015faret koyan hem de zamans\u0131zla\u015fan farkl\u0131 d\u00f6nemlerden yap\u0131tlar\u0131, sergi i\u00e7in haz\u0131rlad\u0131\u011f\u0131 yeni i\u015flerle kar\u015f\u0131la\u015farak k\u0131r\u0131lmalara, \u00e7o\u011falmalara, \u00e7\u0131\u011fl\u0131klara ve sessizli\u011fe alan a\u00e7\u0131yor. \u00c7al\u0131\u015fmalar\u0131 bellek teorisi etraf\u0131nda yo\u011funla\u015fan Sarkis, sergiye tarihten farkl\u0131 tan\u0131klar\u0131 davet ederek bug\u00fcn\u00fcn toplumsal ve siyasal meselelerine katmanl\u0131 bir ele\u015ftirel bak\u0131\u015f sunuyor. Yap\u0131tlar, sanat\u0131n ge\u00e7mi\u015fin izlerini bug\u00fcne getirme […]<\/p>\n","protected":false},"author":1,"featured_media":2601,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30,1],"tags":[],"class_list":["post-2600","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-in-architecture","category-homepage"],"_links":{"self":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/2600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/comments?post=2600"}],"version-history":[{"count":6,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/2600\/revisions"}],"predecessor-version":[{"id":3846,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/2600\/revisions\/3846"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/media\/2601"}],"wp:attachment":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/media?parent=2600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/categories?post=2600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/tags?post=2600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}