{"id":4059,"date":"2020-03-20T08:35:15","date_gmt":"2020-03-20T08:35:15","guid":{"rendered":"https:\/\/warholamag.com\/?p=4059"},"modified":"2020-06-25T09:04:53","modified_gmt":"2020-06-25T09:04:53","slug":"on-art-and-landscape-architecture-with-enise-burcu-derinbogaz","status":"publish","type":"post","link":"https:\/\/warholamag.com\/tr\/on-art-and-landscape-architecture-with-enise-burcu-derinbogaz\/","title":{"rendered":"EN\u0130SE BURCU DER\u0130NBO\u011eAZ \u0130LE SANAT VE PEYZAJ M\u0130MARLI\u011eI \u00dcZER\u0130NE"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Peyzaj mimarl\u0131\u011f\u0131n\u0131 bir ‘sanat bi\u00e7imi’ olarak de\u011ferlendirir misiniz?<\/strong><\/p>\n

Kendi perspektifimden peyzaj mimarl\u0131\u011f\u0131n\u0131 bug\u00fcn bir sanat bi\u00e7imi olarak de\u011firlendi\u011fimi s\u00f6yleyemem. Fakat tarihte peyzaj mimarl\u0131\u011f\u0131n\u0131n ve de bu prati\u011fin ilk \u00f6rnekleri olan bah\u00e7enin, sanat\u0131n bir par\u00e7as\u0131 olarak g\u00f6r\u00fcld\u00fc\u011f\u00fc d\u00f6nemler oldu\u011funu biliyoruz.<\/p>\n

Bug\u00fcn peyzaj mimarl\u0131\u011f\u0131na mimarl\u0131k ve m\u00fchendislik pencerelerinden bak\u0131yor olsak da ben her zaman peyzaj\u0131 d\u00fc\u015f\u00fcnmenin ve prati\u011fe d\u00f6kmenin g\u00f6r\u00fcnenin \u00f6tesinde anlam ve kavramlar\u0131 bar\u0131nd\u0131rmas\u0131 gerekti\u011fini d\u00fc\u015f\u00fcn\u00fcr\u00fcm. Bu anlamda da sanat pratikleri ile \u00f6rt\u00fc\u015ft\u00fc\u011f\u00fc noktalar olabilir.<\/p>\n

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Peyzaj\u0131, insan\u0131n ya\u015fad\u0131\u011f\u0131 \u00e7evreyle aras\u0131nda kalan fiziksel mekanlar\u0131 birle\u015ftiren aray\u00fczler olarak nas\u0131l yorumlars\u0131n\u0131z?<\/strong><\/p>\n

Peyzaj k\u00f6keni itibari ile bakt\u0131\u011f\u0131m\u0131z, alg\u0131lad\u0131\u011f\u0131m\u0131z \u00e7evrenin bir temsili. G\u00f6rd\u00fc\u011f\u00fcm\u00fcz\u00fcn zihnimizde canland\u0131rd\u0131\u011f\u0131, bu sayede kurdu\u011fumuz \u00e7e\u015fitli ili\u015fki ve ba\u011flar, hepsi bu temsilin bile\u015fenleri. Peyzaj\u0131 sordu\u011funuz her kimse, \u00f6ncelikle bu kavram\u0131n \u00e7ok kar\u0131\u015f\u0131k, geni\u015f, tan\u0131mlamas\u0131 zor oldu\u011funu s\u00f6yleyecektir. Sonra da bunu kendi yorumu olan \u00e7e\u015fitli \u015fekillerde c\u00fcmlelere d\u00f6kecektir. Kapsad\u0131\u011f\u0131 anlamlar\u0131 giderek de\u011fi\u015fiyor olsa da kavram\u0131n \u00f6znelli\u011fi 6 y\u00fczy\u0131ld\u0131r de\u011fi\u015fmiyor. Dahas\u0131 toplum ve \u00e7a\u011f de\u011fi\u015ftik\u00e7e, biz ya\u015fad\u0131\u011f\u0131m\u0131z gezegene bakman\u0131n yeni formlar\u0131n\u0131 \u00fcretip, t\u00fcketti\u011fimiz alanlar\u0131 yeniden de\u011ferlendirme bilinci kazand\u0131k\u00e7a peyzaj\u0131n kendisi ve de prati\u011fi de\u011fi\u015fmeye devam ediyor. Edecek de.<\/p>\n

\"\"<\/a><\/p>\n

‘Bir peyzaj \u00f6gesi olarak sanat objesi’ olgusu g\u00fcn\u00fcm\u00fczde a\u00e7\u0131k alanda nas\u0131l \u00f6nem kazan\u0131r? <\/strong>\u00a0<\/strong><\/p>\n

Peyzaj ve sanat beraber d\u00fc\u015f\u00fcnme ve var olma halleri birbirini tamamlayabilen alanlar. Bunun pek \u00e7ok ilham verici \u00f6rnekleri oldu\u011funu biliyoruz. Peyzaj\u0131n y\u00fczy\u0131llar i\u00e7inde edindi\u011fi bir mekan kurma prati\u011fi var; araziyi i\u015fleme, mimariyle diyalog kurma, ak\u0131\u015f\u0131 y\u00f6netme, m\u00fchendisli\u011fi bir par\u00e7as\u0131 haline getirme gibi pek \u00e7ok konuda kendini geli\u015ftirmi\u015f kapsay\u0131c\u0131 bir alan. Ayn\u0131 zamanda mekan pratikleri i\u00e7inde, de\u011fi\u015fime, d\u0131\u015favuruma ve \u00f6znelli\u011fe en yatk\u0131n olan mekan prati\u011fi olma \u00f6zelli\u011fi ile sanatla diyalogu en rahat kurabilen \u00e7al\u0131\u015fma alan\u0131 oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum.<\/p>\n

Peyzajda sanat\u0131n belirli bir noktaya yerle\u015ftirilmi\u015f bir objeden \u00e7ok, beraber var olduklar\u0131 halleri d\u00fc\u015f\u00fcnmek beni heyecanland\u0131r\u0131yor.<\/p>\n

\"\"<\/a><\/p>\n

Enise Burcu Derinbo\u011faz peyzaj mimarl\u0131\u011f\u0131 lisans\u0131n\u0131 \u0130T\u00dc’de, y\u00fcksek lisans\u0131n\u0131 ETH Z\u00fcrih Peyzaj Mimarl\u0131\u011f\u0131 \u0130leri Teknolojiler program\u0131nda tamamlad\u0131. 2002-2003 y\u0131llar\u0131nda Tokyo’da, 2006-2007 y\u0131llar\u0131 aras\u0131nda Viyana’da e\u011fitim g\u00f6rd\u00fc. E\u011fitimi s\u0131ras\u0131nda mimarl\u0131k dergilerinde edit\u00f6rl\u00fck, y\u00fcksek lisans d\u00f6neminde ETH Z\u00fcrih’te asistanl\u0131k yapt\u0131. 2005’ten itibaren bah\u00e7e tasar\u0131m\u0131ndan masterplana uzanan farkl\u0131 \u00f6l\u00e7eklerde projelerde yer ald\u0131. 2013 y\u0131l\u0131nda yar\u0131\u015fma ba\u015far\u0131lar\u0131ndan \u00f6t\u00fcr\u00fc TMMOB Peyzaj Mimarlar\u0131 Odas\u0131 taraf\u0131ndan Ulusal Ba\u015far\u0131 \u00d6d\u00fcl\u00fc’ne lay\u0131k g\u00f6r\u00fcld\u00fc. 2013’ten beri kurucusu oldu\u011fu Praxis’te peyzaj mimarl\u0131\u011f\u0131 ve kentsel tasar\u0131m alanlar\u0131nda farkl\u0131 \u00f6l\u00e7eklerde \u00e7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcr\u00fcyor.<\/p>\n

Peyzaj insan\u0131n ya\u015fad\u0131\u011f\u0131 \u00e7evreyle aras\u0131nda kalan fiziksel mekanlar\u0131 birle\u015ftiren bir aray\u00fczd\u00fcr. Bu aray\u00fcz birbirinden de\u011fi\u015fik \u015fekillerde var olabilir ve s\u00fcre\u00e7 i\u00e7erisinde farkl\u0131 hallere b\u00fcr\u00fcnebilir.Praxis peyzaj\u0131n bu farkl\u0131 hallerini, mimarl\u0131kla ili\u015fkilerini ara\u015ft\u0131ran ve i\u015fleyen bir tasar\u0131m ofisidir.<\/p>\n

R\u00f6portaj:<\/strong> \u00d6zlem Kan<\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Peyzaj mimarl\u0131\u011f\u0131n\u0131 bir ‘sanat bi\u00e7imi’ olarak de\u011ferlendirir misiniz? Kendi perspektifimden peyzaj mimarl\u0131\u011f\u0131n\u0131 bug\u00fcn bir sanat bi\u00e7imi olarak de\u011firlendi\u011fimi s\u00f6yleyemem. Fakat tarihte peyzaj mimarl\u0131\u011f\u0131n\u0131n ve de bu prati\u011fin ilk \u00f6rnekleri olan bah\u00e7enin, sanat\u0131n bir par\u00e7as\u0131 olarak g\u00f6r\u00fcld\u00fc\u011f\u00fc d\u00f6nemler oldu\u011funu biliyoruz. Bug\u00fcn peyzaj mimarl\u0131\u011f\u0131na mimarl\u0131k ve m\u00fchendislik pencerelerinden bak\u0131yor olsak da ben her zaman peyzaj\u0131 d\u00fc\u015f\u00fcnmenin ve […]<\/p>\n","protected":false},"author":1,"featured_media":4063,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,11],"tags":[42,40,41,45,44,43],"class_list":["post-4059","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-homepage","category-profiles","tag-architecture","tag-art","tag-landscape","tag-mimarlik","tag-peyzaj","tag-sanat"],"_links":{"self":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/4059","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/comments?post=4059"}],"version-history":[{"count":3,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/4059\/revisions"}],"predecessor-version":[{"id":4193,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/posts\/4059\/revisions\/4193"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/media\/4063"}],"wp:attachment":[{"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/media?parent=4059"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/categories?post=4059"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/warholamag.com\/tr\/wp-json\/wp\/v2\/tags?post=4059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}